|Autumn Leaves - Detail|
It's been a funny few weeks. Not funny haha but funny strange. And not really strange just ..... not normal. Whatever normal is! I guess it's just life. Last week I said that "...... life seemed to strike" and of course what I'm referring to is the bad side of life; that said, perhaps not bad but certainly less than good. All of that combined with other stuff was stopping me from painting; it was at the root of why I couldn't be bothered with art.
However, I'd started painting again and while doing so helped block all of that stuff out for a little while it was all still there like this black cloud hanging over my head.
Saturday was so grey; indeed so grey that it seemed to match my mood. After moping about for a while I decided I needed to create, even if I was just doing some backgrounds at least I would be doing something creative.
As I started to get set-up I was aware of brightness outside even though the sky was grey and it was then that I realised that I was looking at the most magnificent autumn colours in my garden. My mood started to lift a bit.
|Inspired by the leaves in my garden|
I didn't intentionally set about creating an autumn piece but clearly this beautiful sight influenced and inspired me - as nature so often does.
Given everything that's been going on I thought that it might be good to start my page with some journaling. It wasn't stuff that I would want to be seen so I decided that I would write in a way that it would be hard to make out what was there.
I wrote in a large scrawl deciding that I would not worry about grammar, punctuation or spelling. Though I guess I'm a bit 'old school' as every so often I found myself stopping to think about just that! I wrote horizontally then turned the page sideways and wrote vertically.
|Step 1 - Journaling my thoughts|
|Step 2 - Using the Gelli Plate to create a background layer|
When I started to put colour onto the Gelli Plate, I realised then that I was being influenced by what I was seeing out the window.
My page was much bigger than the Gelli Plate but I was happy with that as where one print was overlapping the other I was getting increased depth with the additional layers.
|Step 3 - using leaves as stamps|
My only concern was that as I wasn't letting the layers dry in between I was in danger of creating mud. So out came the heat gun aka the hairdryer.
I then had a bit of a fail. I got some leaves from outside, placed them on the Gelli Plate and tried to use the brayer to put paint on over them. It didn't work. So I then took a couple of different sized leaves and with my finger applied a layer of paint to them really working the paint in so that the veins would be highlighted and I then used them as a stamp on the page. I used the brayer to apply more pressure.
|Step 4 - find a quote, add more layers with stamps, acrylics and ink pads|
I liked the way this was working but felt that the leaves needed to pop a bit more. I thought about going round them with pen but didn't want a full and hard line on them. So I took the leaves again and rubbed in some black acrylic and stamped over each of the prints already on the page. This gave the leaves a bit more definition.
By now, I was at the point where I was thinking that this was shaping up nicely but there was something missing. Did I need more leaves?
An aside! This thought took me back in my mind to when I was about 17 in my High School art class. We'd been asked to paint a scene of umbrellas in the rain. My art teacher saw my finished piece and said it was good apart from one thing - there weren't enough umbrellas!
He was clearly a city boy used to seeing lots of people in the street. I was a country girl where even seeing the three or four umbrellas that I'd painted would have been a lot. It's all about perspective - wish I could have that conversation with him now.
|Stamping, highlighting and quote added - job done!|
Anyway, I decided I didn't want to add more leaves but I did want more depth both with more layers and some deeper colours.
So I added some stamping and applied colour with my fingers including gold to try and get the 'glow' that I was seeing outside. I also used a gold pen just to add some little marks here and there.
I searched for a quote and came up with this one:
"Every leaf speaks bliss to me, fluttering from the autumn tree" - Emily Bronte
I felt way better when I had finished than when I started.